![]() ![]() Late Gothic Browse this content A beginner's guide Browse this content Introduction to Late Gothic art Distorting the Madonna in Medieval art The Black Death The conservator’s eye: Taddeo Gaddi, Saint Julian Remaking a fourteenth-century triptych Florence Browse this content A beginner's guide Florence in the Late Gothic period, an introduction Dante’s Divine Comedy in Late Medieval and Early Renaissance art Cimabue Virgin and Child Enthroned, and Prophets (Santa Trinità Maestà) Santa Trinita Madonna and Child Enthroned Cimabue and Giotto compared Giotto The Ognissanti Madonna and Child Enthroned St. 1400−1800 A beginner's guide to the Renaissance Browse this topic Expanding the Renaissance: a Smarthistory initiative Tiny timeline: global Europe The Medieval and Renaissance Altarpiece Patrons and patronage Why commission artwork during the renaissance? Types of renaissance patronage Artists and workshops The Italian renaissance court artist Female artists in the renaissance The role of the workshop in Italian renaissance art Images of African Kingship, Real and Imagined A primer for Italian renaissance art Humanism in renaissance Italy Humanism in Italian renaissance art Introduction to gender in renaissance Italy An introduction to the renaissance nude Sex, Power, and Violence in the Renaissance Nude Confronting power and violence in the renaissance nude Materials and Techniques Gold-ground panel painting Quarrying and carving marble Carving marble with traditional tools Renaissance Watercolours: materials and techniques Italy and Spain in the 14th century: ![]() ![]() Elena FitzPatrick Sifford on casta paintingsīrowse this content Beginner's guide to the Early Modern period Classic, classical, and classicism explained Printmaking in Europe, c. Reframing Art History, a new kind of textbook.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. I think he saw the value of the last drawing as he sketched over it – the drawing as a living, growing thing.Īrchitects naturally think this way: all things at once, a stew of thought, but many want to offer up a finished product of pristine distillation.At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures. Other drawings actually show the frozen evolution of architecture from detail to line to shape and back again, as the length, form, trim and detail evolve on one sheet of paper: simply because there was no trace to layer over layer over layer, removing the past in the layer under the current one. Body and Building: overlapping, combining, being a singularity in the mind of their creator, not the distinct, separate, distilled denial of each other. The sepia ink bleeds through to the backside of the paper and then carbon is applied over that: instant synergy. One drawing shows the sepia ink of a portico’s design on one side, and on the obverse the muscled study sketch for a sculpture. Why not both/and, using Both Sides Of The Paper? Why design for the screen: the perfect image frozen in two-dimensions when the experience of movement is how we humans use all buildings? Why relegate materials to categories-all white, wood or stone, as space, solid and void-without recognizing movement, time, water, gravity? The balkanization of architecture into constellations of independent operators of exclusive expertise wrecks the simplicity of conception, natural elegance of thought, and effortless coincidence of architecture, words, music, bodies and things that danced through the rooms of the Met. Where architects were once, like veterinarians, just “Large Animal” and “Small Animal,” building has now spawned any number of architect-trained consultants that focus on roofs, curtain walls, lighting, sustainability, energy conservation, insulation, security, development, information management, HVAC systems, graphics, universal design, interiors, as well as any and all pecularizations of building function: cities, prisons, libraries, transportation, commercial, judicial, academic, multi-residential, hospitals, assisted living, retail, religious, and on and on and on. There are now hundreds of types of doctors. But the effective reality is that every profession is splintering into specialization. ![]()
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